Low Budget Films Just as Good

SAN ANTONIO, Texas — In a digitally animated film entitled The Cathedral, a man stumbles across a dreary landscape into a dark, ominous building. A brilliant flash of light fills the cavernous space, and branches shoot up, extending the structure high in the sky and seemingly strangling the man in the process.

The entry from a tiny Polish production company in Siggraph’s computer animation festival is one of a number of serious, often troubling works picked by this year’s judges — reflecting both their concerns about world events and their desire to allow new, international voices to join the festival’s often Hollywood-heavy fare.

“Some of those themes in Cathedral were as good as anything in Lord of the Rings,” said festival chair and Hollywood veteran John McIntosh of New York’s School of Visual Arts.

Production companies like Poland’s Platige Image have received more attention from judges who are still reeling from the events of Sept. 11, plunging economies around the world and war in the Middle East.

“It’s a different world now,” McIntosh said. “We take ourselves and our lives more seriously.”

Students from a French computer graphics and art school called Supinfocom had three winning entries in the festival’s prestigious Electronic Theater — beating out Hollywood heavies LucasFilm, Digital Domain, PDI DreamWorks and Sony.

Each of the short films dealt with disturbing themes. The Deserter portrays a young man who tries to escape the horrors of World War I by attaching a device to a bird that gives him the illusion of soaring away from his surroundings.

Sarah is about a girl fleeing on a labyrinth of roller-coaster tracks from machines that want to control her.

And a piece with a deceptively flippant title, Recycle Bein’, features a man pursued by a monsters from a junk yard, such as a giant rat and a fiend with razor arms.

Europe didn’t have a monopoly on serious work. The Electronic Theater’s grimmest work Gjenta — two featureless balls filled with cadaverous humans rolling endlessly in a circle and pausing only to exchange passengers — came from Erik Bakke of San Francisco.

Despite the heaviness, the judges still picked a good dose of humorous pieces. The biggest crowd pleaser was a Japanese entry, Polygon Family: Episode 2, in which an errant husband gets a martial arts whipping from his wife. Hollywood-based Duck Soup’s The Snowman — about a snowman that gets mistakenly kidnapped by aliens intent upon grilling him for secrets about Earth’s planetary defense system — was a close second.

Hollywood was hardly left out in the cold. Disney showed off its Human Face Project, the closest anyone has come yet to creating a face indistinguishable from a video image.

Sony got to show off riveting Spider-Man clips; and Digital Domain had Lord of the Rings and Time Machine.

But, as McIntosh noted, the real wow factor was that individuals with practically no budgets produced pictures as compelling as Hollywood films with digital effects budgets in the tens of millions of dollars.

“We all get so bogged down in industry work, and we think that’s the high-water mark,” said Technicolor executive Bob Hoffman. “This was some of the best work in the world, irrespective of money.”

Should Constitution Safeguard Ethnicity?

Should our cultural or ethnic diversity be protected by the Constitution?

How should ethnicity be dealt with to ensure unity in diversity and security of persons and property?

Should the Constitution recognize indigenous languages?

These are among the issues being addressed under the cultural, ethnic and regional diversity and communal rights chapter of the Constitution of Kenya Review, currently in various stages of discussion.

Man, it is known, is a social animal, a character who for all-round growth and prosperity, needs to identify with his/her own ethnic group, gender and generally specific identity-oriented ways of life.

To tell a Kenyan not to identify with, not to belong to a certain ethnic group or race is an abuse of common decency.

As psychologist/sociologist Dale Carnegie puts it: “Each nation (read, ethnic group) feels superior to other nations. This breeds patriotism and wars.”

Carnegie also adds: “An individual’s sure way to the heart is to let him/her realize, in some subtle way, that you recognize their importance in his/her little world (ethnic group) and recognize it sincerely.”

We are individuals first, but we are also members of a certain family, village, ethnic group, nation and race. These human differences are what makes us who we are. Diversity makes life interesting, rich and dear. The sense of belonging to a community, to an ethnic group or race, does not necessarily mean that anyone who does not belong with us is not normal or still undergoing the evolutionary process.

A sense of belonging is good but too much of anything is poisonous-egocentrism, ethnocentrism, racism and other isms are negative. If snails are a French delicacy, if dog-meat is a delicacy in Korea and Vietnam with their city streets lined up with “dog-butcheries”, please respect their way of life.

If chimpanzee or monkey meat are delicacies in Cameroon, Congo, DR Congo and Gabon, let it be. The most honorable thing you can do is to respect other people’s way of life. Do you know that a continental European cannot understand how and why a Kenyan can consume a meal of ugali and termites “kumbi-kumbi’ ?

Would you believe that Siberian Eskimos called Chukchi and Evenk would laugh at you if you indicated that you want to bathe? They would be interested to know why on earth you want to wash away God-given oils from your skin?

Among the Chukchi too, you will only get to know how a well-respected visitor you are when your host gives you his wife for the night of your visit.

Certainly, one man’s meat is another man’s poison. It is also natural to associate a people in appearance, manners and possibly thought patterns with the language they speak.

Austrian-British philosopher Ludwig Wittgenstein, says we use language for a social act. He compares language to a toolbox, which is fitted with tools for the jobs we intend to use them for, such as chisels, hammers, pliers and screwdrivers while there are others that can be used for all sorts of tasks.

Language plays a critical part in character formation for the young and the development of social values for adults.

Students of psychology have observed that language and the use of certain words can influence behaviour and ultimately one’s place in society.

The recent Ministry of Education directive on change of syllabus for the 8-4-4 system so as to teach ‘mother tongue’ as a subject in our schools is a good move. Though it is still not clear what this ‘mother tongue’ subject will consist of because we are 42 tribes, majority of whom live together in towns and have inter-married. But this is a show of political will.

Currently, there are over 3,500 documented languages throughout the world that are used in verbal communication. However, while speech is common to all human societies and writing is not. The number of written languages (those with their own alphabets) is much lower, with one estimate putting the number at no more than 500.

On the eve of celebrations to mark the United Nations International Mother Language Day, in February this year, United Nations Educational Scientific &Cultural Organization (UNESCO) Director General Koichiro Matsuura, was quoted as warning that more than 3,000 languages spoken today ( 85 per cent of the total) are endangered. Matsuura says experts consider a community’s language to be endangered when 30 per cent of its children no longer learn it.

In Kenya, how many parents are known to have discouraged their children from learning or speaking their vernaculars because they consider such activity to be uncivilized?

UNESCO says the most endangered are languages spoken in the Americas and Australia.

It adds that languages, among them, Kenyan – Suba, El Molo, Lorkoti, Yaaku, Sogoo, Kore, Segeju, Omotik and Kinare have died out. While Bongo’m and Terik are endangered.

According to the United Nations Atlas of the World’s Languages in Danger of Disappearing, 50 European languages are endangered.

In France alone, 14 languages are endangered. In Siberia, for example, nearly 40 local languages are said to be disappearing. In Europe, minority languages, Basque and Catalan were targeted by repressive laws.

It is a fact that the roles languages may play within a given larger social unit, such as the modern state, is bound to be unequal. Some languages expand and become lingua-francas, while others shrink and possibly die out.

Languages also die out when they can no longer serve their community as an adequate tool for social interaction.

Another language takes the place of the dying one and grows in size and importance.

Is this the case facing Kenyan languages as well considering the danger facing vernacular, English and Kiswahili languages from the emerging Sheng?

All over the world, we have bilingual and multilingual nation states rather than monolingual countries.

For example, in countries which look like they are overwhelmingly monolingual like France, England, Sweden, Poland where French, English, Swedish and Polish languages are not the only ones spoken.

There are several other minority languages spoken in each of them. South and North Korea are the world’s two most ethnically homogenous nations because in them there are no racial or linguistic minorities.

Mozambique has 39 ethnic groups, Kenya has 42, Tanzania has over 130, Nigeria has 250, Papua New Guinea has over 750 languages spoken, though only a few are spoken by more than 1,000 persons.

Evidently, this kind of scenario calls for the choosing and acceptance of one or three languages to act as mode of inter-ethnic communication or in other words, a lingua franca.

A lingo is a language, which is used as a means of communication among people who have no native common language, like the role of Kiswahili in Kenya and the East African region.

Pidgin and Creole are a mixture of native and foreign languages and a lingua franca, which has no native speakers, are other examples.

All Kenyan languages should be encouraged, without speakers’ feeling inadequate.

As Philip Ochieng recently claimed: ” When I stopped learning Dholuo, I, also, stopped imbibing Luo culture, wisdom, history and aspirations .”

There is a need to be tolerant and that means developing, promoting and sustaining peaceful co-existence among Kenya’s ethnic communities.

Wayward politicians and people who are known to always whip up ethnic sentiments at will should be identified and isolated. Seeds of ethnic discord and disharmony should not be allowed to germinate.

By Isaiah Cherutich, lecturer in the Department of Communication Studies, Institute of Human Resource Development, Moi University, Eldoret.

The National Center for Complementary and Alternative Medicine

The National Center for Complementary and Alternative Medicine (NCCAM) is 1 of the 27 institutes and centers that make up the National Institutes of Health (NIH). The NIH is one of eight agencies under the Public Health Service (PHS) in the Department of Health and Human Services (DHHS).

The Center’s mission is to support rigorous research on complementary and alternative medicine (CAM), to train researchers in CAM, and to disseminate information to the public and professionals on which CAM modalities work, which do not, and why.

Our four primary areas of focus are:

  • Research – We support clinical and basic science research projects in CAM by awarding grants across the country and around the world; we also design, study, and analyze clinical and laboratory-based studies on the NIH campus in Bethesda, Maryland.
  • Research training and career development – We award grants that provide training and career development opportunities for predoctoral, postdoctoral, and career researchers.
  • Outreach – We sponsor conferences, educational programs, and exhibits; operate an information clearinghouse to answer inquiries and requests for information; provide a Web site and printed publications; and hold town meetings at selected locations in the United States.
  • Integration – To integrate scientifically proven CAM practices into conventional medicine, we announce published research results; study ways to integrate evidence-based CAM practices into conventional medical practice; and support programs to develop models for incorporating CAM into the curriculum of medical, dental, and nursing schools.

Chopin piano competition set for end of month

The Council of Cultural Affairs and the Frederic Chopin Foundation Taipei yesterday joined hands to kick off the 9th Taipei International Youth Chopin Piano Competition which will be held in Taipei from July 24 to August 4.

As part of the Cultural Affairs Council’s initiatives to cultivate more local musical talent for the international musical scene, the piano competition will select the best of the best from a pool of participants, aged 16 to 24.

“This year we have 191 participants from all over the world signing up for the competition, including China, the United States, Japan and Germany,” said Anna Azusa Fujita, president of the Frederic Chopin Foundation Taipei. She pointed out that this year’s competition has attracted an unusually high number of participants – she says is because of improvements in Taiwan’s musical education.

Prizes for the competition will comprise of money awards ranging from NT$60,000 to NT$300,000. The Frederic Chopin Foundation Taipei will also sponsor winners to participate in the Fifth International Frederic Chopin Piano Competition in Warsaw, Poland in October, 2005.

In addition, winners of the piano competition will also earn the chance to be recruited into the Cultural Affairs Council’s advocated “Talents Culturing Program” which so far has 41 members and is hoping to expand its membership, said the chairwoman of the Council for Cultural Affairs, Tchen Yu-chiou (陳郁秀).

The program helps bring together young talents with some of the best Taiwanese musicians in the nation and abroad.

“This is the council’s key work for the development of arts education in Taiwan, and ultimately, we hope to build a bridge to connect Taiwan to the international stage,” Tchen stressed.

Drawing a piece of personal advice for the numerous young piano players joining the competition, Fujita said that “polishing up one’s performing skills is essential to a pianist, and in addition to hard work, one also has to allow space for individual style.”

“Japanese people in particular like Chopin a lot, and over the past 50 years, many Japanese pianists have participated in a number of international competitions,” pointed out the world-famous pianist. “Why? It is because Japan’s conservative and rigid social rituals hamper students’ creativity and independence.”

The piano competition is divided into two sections, a children’s section and a young adult’s section. Age qualifications for the children’s section include those born after July 24, 1986 and before July 23, 1991. For the young adult’s section, those born after July 24, 1978 and before July 23, 1986, will qualify. The Competition will take place at the National Chiang Kai-shek Cultural Center Concert Hall (Recital Hall) in Taipei.